SixByEight Press
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  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

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Samuel Kim

Issue.43: Begin Again
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  • Issue.43

Everything I’ve Wanted to Say About Korean Cinema

  • Posted on February 27, 2020March 3, 2020
  • by6x8Press
SAMUEL KIM I. Past Echoes “… I want our nation to be the most beautiful in the world. By this I do not mean the most powerful nation… It is…
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Issue.43: Begin Again
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  • Issue.43

Begin Again

  • Posted on February 27, 2020March 3, 2020
  • by6x8Press
In this issue, we explore the various perspectives that come with the concept of resets, discussing and examining it as both an opportunity to have new beginnings and restarts, but…
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Issue.41: 2nd Annual Editors' Choice
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  • Issue.41

Editors’ Choice — The Tiananmen Movement That Lived

  • Posted on December 26, 2019December 27, 2019
  • by6x8Press
Suffice to say, 2019 has been, as the Queen would say, a “bumpy” year for humankind. For every feel-good story, there seems to be many not-so-feel-good ones. Yet in this…
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Issue.41: 2nd Annual Editors' Choice
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  • Issue.41

2nd Annual Editors’ Choice

  • Posted on December 26, 2019December 27, 2019
  • by6x8Press
In this second annual Editors’ Choice issue, we look back on the past year’s issues of SixByEight Press and reflect on our favorite pieces as editors. Each of these pieces…
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Issue.38: Shifting Grounds: On Paradigm Shifts
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  • Issue.38

The Tiananmen Movement That Lived

  • Posted on September 26, 2019October 4, 2019
  • by6x8Press
SAMUEL KIM I cannot keep my eyes off of Hong Kong. Hong Kong’s huge protests, explained | Source: © Vox/YouTube After nearly six months of coverage, most real-time news developments…
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Issue.38: Shifting Grounds: On Paradigm Shifts
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  • Issue.38

Shifting Grounds: On Paradigm Shifts

  • Posted on September 26, 2019September 27, 2019
  • by6x8Press
In this issue, we consider moments in life — in art, in history, in society — when something fundamental changes. Looking back after that time, all interpretation is different. Can…
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SixByEight Press
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Meet our Writers!

  • Posted on January 30, 2018July 19, 2022
  • by6x8Press
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Issue.36: Under the Spotlight
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  • Issue.36

Black, Beautiful, Believed: Soccer’s Dark Crisis Brought to Light

  • Posted on May 16, 2019May 16, 2019
  • by6x8Press
ITUA UDUEBO Editor’s Note: What you’re about to read paints a sharp picture of racism in professional sports. And rather than shy away from this reality, our author Itua Uduebo…
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Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
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  • Issue.19

Framing Nonfiction: Suspension of Disbelief in Post-Fact Photography

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
SWEDIAN LIE One of the most beloved phrases in theatre and performance studies is the term “suspension of disbelief,” which was coined with respect to fictional works of literature in…
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Issue.09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
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  • Issue.09

Poems Which Will Shatter the Glass: Methodologies for Protest Theatre

  • Posted on November 25, 2016April 4, 2019
  • by6x8Press
ROBERT DUFFLEY Barring a surprise bigger than that of his election, Donald Trump will be inaugurated as the 45th president of the United States in January 2017. It would be…
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