SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

Search Results for

SixByEight Press Editors

Issue.41: 2nd Annual Editors' Choice
View Post
  • Issue.40

Joe’s Choice — Under the Bridge: A Short Story (Part 4)

  • Posted on December 26, 2019December 27, 2019
  • by6x8Press
When I was first put in touch with Nick Popkey over the Summer, I had no idea that we’d be collaborating on his material for the next four to five…
View Post
Share
Issue.32: Editors' Choice
View Post
  • Issue.32

Joe’s Choice — Ursula’s Lament

  • Posted on December 27, 2018April 4, 2019
  • by6x8Press
More than a few reasons come to mind when I consider why I love this piece, but chief among them is the timing. Kelley Kidd’s story, Ursula’s Lament, a fictional,…
View Post
Share
Issue.32: Editors' Choice
View Post
  • Issue.32

Swedian’s Choice — Reading Maps: Exploring the Cartography of Childhood Stories

  • Posted on December 27, 2018April 4, 2019
  • by6x8Press
I’ve always found the best kind of rabbit holes to be the ones where you feel like every turn is a discovery rather than another mile in the journey, and…
View Post
Share
Issue.32: Editors' Choice
View Post
  • Issue.32

Natalie’s Choice — The Absurd Tragicomedy of American Borders

  • Posted on December 27, 2018April 4, 2019
  • by6x8Press
I am getting deeply exhausted by the idea that we live in a “uniquely” political time; that we as an epoch are somehow worse at getting along or better at…
View Post
Share
Issue.32: Editors' Choice
View Post
  • Issue.32

Alex’s Choice — What I Learned from Coleslaw: My Existential Four Months in a Commercial Kitchen

  • Posted on December 27, 2018April 4, 2019
  • by6x8Press
For most of my life, I’ve been an athlete. A not negligible portion of my high school and college years were spent inside a gym, the high-pitched squeaks of sneakers…
View Post
Share
Issue.32: Editors' Choice
View Post
  • Issue.32

Nora’s Choice — Language as a Subculture Unifier: The Case of Polari

  • Posted on December 27, 2018April 4, 2019
  • by6x8Press
In a scene from the 1938 screwball comedy, Bringing Up Baby, Cary Grant is wearing a flamboyant (borrowed) negligée. When asked why he is wearing this, Grant leaps into the…
View Post
Share
Issue.29: The Creative Issue
View Post
  • Issue.29

Ursula’s Lament

  • Posted on September 28, 2018April 4, 2019
  • by6x8Press
KELLEY KIDD When I began writing with SixByEight Press two and a half years ago, I knew that what I loved most was writing. I’ve always known this about myself.…
View Post
Share
Issue.29: The Creative Issue
View Post
  • Issue.29

The Creative Issue

  • Posted on September 28, 2018April 4, 2019
  • by6x8Press
In this issue, we celebrate the many forms, styles, and themes that can be conveyed through creative writing — ranging from personal essays to short plays, and everything in between.…
View Post
Share
Issue.04: We're Not the Only Ones: On Performing Kinship with the Natural World
View Post
  • Issue.04

Pandacamonium: Performing Child, Performing Wild, and Seeing as Conserving

  • Posted on June 24, 2016April 4, 2019
  • by6x8Press
CHRISTA PLUFF Pandas. Note to the editors: We could just link to the National Zoo panda cam and call it a day. Note to the readers: If you want to…
View Post
Share

Posts pagination

Previous 1 2 3

Subscribe to SixByEight Press

Join our mailing list!

Recent Posts
  • 21st Century Consciousness, or The Waking Nightmare: A Rambling Monologue in One Part
  • “The world is a beautiful place if you know where to look.”
  • Floating Boats
  • Nightmare Day
  • The Nightmare Issue
6x8P
Our mission begins with a basic premise: that we are all active participants in a constructed collective we call society — living & breathing actors in the same stage play. In today’s production, we see new opportunities to establish and embrace connections within this collective and realize its potential to grow into a community.
SixByEight Press
  • About
  • The Team
  • Contact Us
  • Meet our Writers!
  • From the Press
© SixByEight Press 2021. All Rights Reserved.

Input your search keywords and press Enter.