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      • 53: Open House
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      • 50: Black Lives Still Matter
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      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

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Swedian Lie

Issue.42: Conversations
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  • Issue.42

Conversations

  • Posted on January 30, 2020January 31, 2020
  • by6x8Press
In this issue, each one of us editors at SixByEight Press engage in open dialogue and conversation with writers, collaborators, and mentors from our own personal and professional lives, to…
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Issue.41: 2nd Annual Editors' Choice
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  • Issue.41

2nd Annual Editors’ Choice

  • Posted on December 26, 2019December 27, 2019
  • by6x8Press
In this second annual Editors’ Choice issue, we look back on the past year’s issues of SixByEight Press and reflect on our favorite pieces as editors. Each of these pieces…
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Issue.39: Seconds: The Annual Creative Issue
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  • Issue.39

Interview with Rizal Iwan

  • Posted on October 24, 2019October 25, 2019
  • by6x8Press
SWEDIAN LIE In this issue, we talk to Rizal Iwan, an Indonesian freelance writer and actor who has acted in short films, various web series, and on stage, including making…
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Issue.39: Seconds: The Annual Creative Issue
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  • Issue.39

Seconds: The Annual Creative Issue

  • Posted on October 24, 2019October 24, 2019
  • by6x8Press
In this issue — our second annual creative issue — we celebrate the many forms, styles, and themes that can be conveyed through creative writing — ranging from personal essays…
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Issue.36: Under the Spotlight
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  • Issue.36

Looking for Love

  • Posted on May 16, 2019May 16, 2019
  • by6x8Press
KELLEY KIDD The Elephant She’s round and teenaged, and not quite sure of how big she is or where her edges are. The teacup can feel a little small, but…
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Issue.35: A Place and a Space: Sites of Performance
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  • Issue.35

One time in the car I heard about a place called Polk Street

  • Posted on March 28, 2019April 4, 2019
  • by6x8Press
T. CHASE MEACHAM Once when I was in high school I was in the car with my mom. It was late at night and we’d been driving a while. We…
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Issue.33: Life in Technicolor
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  • Issue.33

The Colorless Color: A Brief History of Black

  • Posted on January 24, 2019April 4, 2019
  • by6x8Press
SWEDIAN LIE We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. – H.…
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Issue.33: Life in Technicolor
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  • Issue.33

Life in Technicolor

  • Posted on January 24, 2019April 4, 2019
  • by6x8Press
In this issue, we ask the question of what are the various ways in which color — remembered, perceived, or imagined — perform the construction of meaning, experience, and ideology?…
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Issue.32: Editors' Choice
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  • Issue.32

Editors’ Choice

  • Posted on December 27, 2018April 4, 2019
  • by6x8Press
In this issue, we look back on over 30 issues of SixByEight Press and reflect on our favorite pieces as editors. While some works are recent and some are older,…
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Issue.30: A Shadow Most Strange
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  • Issue.30

To Telling the Stories Left Unsaid: Podcasts About Grief & Death

  • Posted on October 29, 2018April 4, 2019
  • by6x8Press
SWEDIAN LIE With each passing, there is two kinds of death. The first happens in the material realm; the finite deterioration of muscle and sinew fighting the eternally futile battle…
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