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      • 53: Open House
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      • 37: Tightrope: Performing Tension
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      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
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      • 43: Begin Again
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      • 45: The Invisible Wave
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      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

Issue.08

7 posts
Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

Present Situation: Creating Openness With and For the Audience

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
NICK JONCZAK Jacques Lecoq | Source: © Télérama It is a gift to be present. Three years ago I uprooted myself from Washington, D.C. where I had spent seven incredibly…
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Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

Dueling Dialogue: Life of the Live Comic

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
SARAH FRASCO God bless Betty White | Source: GIPHY Comedy lives all around us: the funniest guy at the office, literally just the very existence of cats, and old people…
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Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

If You Believe, Clap Your Hands: On Writing and Performing with Young Audiences

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
EVAN MOUSSEAU Original program for the 1904 production of Peter Pan — which featured a whopping 25-person cast — at the Duke of York’s Theatre in London | Source: Wikimedia…
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Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

The Brief and Wondrous Life of Trends

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
KELLEY KIDD Above are just a few of the endless headlines on the covers of lifestyle magazines such as Vogue, Glamour, GQ, and Men’s Health. Nearly every cover out there…
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Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

Art to Which You Don’t Consent

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
T. CHASE MEACHAM Source: Swedian Lie The rules are: Do NOT interact with anyone unless they interact with you first. IF they do, keep the conversation as short as possible.…
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Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

Power Play: Acting in an Open Office Floor Plan

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
CHAD MINOR It might surprise you, dear reader, to learn that one of the most popular courses at the Stanford Graduate School of Business is an acting course. Entitled “Acting…
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Issue.08: Facing Outward: How Audience Influences Performance
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  • Issue.08

Facing Outward: How Audience Influences Performance

  • Posted on October 28, 2016April 4, 2019
  • by6x8Press
In this issue of SixByEight Press, we’re exploring the theme of ‘Audience Participation’ in the context of the way a performance is structured and built to respond to that participation.…
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