SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

Issue.19

7 posts
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

Interview with Tim DeVita

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
NORA ROSENGARTEN In this issue, we sat down with Tim DeVita, a current medical student in Georgetown University School of Medicine and long-time health care advocate who became passionate about…
View Post
Share
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

Copyright vs. Collaboration: When Productions Go Off-Script

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
MEGAN DOMINY If your Facebook feed looks anything like mine, playwright intent/consent has been a very hot topic lately. Maybe your Twittersphere has been focused on the other political dumpster…
View Post
Share
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

We Cannot Stop At Just Blaming the Trolls and Their King

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
TANISHA HUMPHREY From Under the Troll Bridges We’ve all heard the phrase “don’t feed the trolls,” urging online users to ignore bullies, harassers, and others spreading hatred and intolerance across…
View Post
Share
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

On Maybe: Implying Yes While Meaning No (Or, My “Me Too”)

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
KELLEY KIDD Recently, as on many days, I found myself aimlessly scrolling through my Facebook newsfeed on my commute to work, anticipating nothing more rewarding than the potential tiny thrill…
View Post
Share
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

Framing Nonfiction: Suspension of Disbelief in Post-Fact Photography

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
SWEDIAN LIE One of the most beloved phrases in theatre and performance studies is the term “suspension of disbelief,” which was coined with respect to fictional works of literature in…
View Post
Share
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

Can Your Data Speak For You?

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
AISTE GUOBYTE It’s Sunday, June 6th, 1841: the eve of Census Night in Killashandra, County Cavan in Ireland. Patt Leddie (60 – farmer – head of the family – can…
View Post
Share
Issue.19: The Performance of Yes: On Tacit & Explicit Agreement
View Post
  • Issue.19

The Performance of Yes: On Tacit & Explicit Agreement

  • Posted on October 27, 2017April 4, 2019
  • by6x8Press
In this issue of SixByEight Press, we discuss the various ways in which we express opinions of agreement and approval — and what happens when these performative contracts of consent…
View Post
Share

Subscribe to SixByEight Press

Join our mailing list!

Recent Posts
  • 21st Century Consciousness, or The Waking Nightmare: A Rambling Monologue in One Part
  • “The world is a beautiful place if you know where to look.”
  • Floating Boats
  • Nightmare Day
  • The Nightmare Issue
6x8P
Our mission begins with a basic premise: that we are all active participants in a constructed collective we call society — living & breathing actors in the same stage play. In today’s production, we see new opportunities to establish and embrace connections within this collective and realize its potential to grow into a community.
SixByEight Press
  • About
  • The Team
  • Contact Us
  • Meet our Writers!
  • From the Press
© SixByEight Press 2021. All Rights Reserved.

Input your search keywords and press Enter.