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      • 53: Open House
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      • 37: Tightrope: Performing Tension
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      • 25: In Motion: The Performance of Movement
      • 26: Legacy
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      • 29: The Creative Issue
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      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

Issue.43

7 posts
Issue.43: Begin Again
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  • Issue.43

Interview with Charlee Dyroff

  • Posted on February 27, 2020March 3, 2020
  • by6x8Press
ALEXANDRA REALE In this issue, we talk to Charlee Dyroff, a writer from Boulder, Colorado who’s currently pursuing an MFA in nonfiction at Columbia University, where she is also teaching…
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Issue.43: Begin Again
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  • Issue.43

Have You Washed Your Hands Yet? Understanding The Paranoia of Pandemics

  • Posted on February 27, 2020February 28, 2020
  • by6x8Press
SWEDIAN LIE We live in an increasingly global and mobile world, where borders are more political talking points than physical impediments, and travel is a question of financial capacity, rather…
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Issue.43: Begin Again
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  • Issue.43

RAINBOWFISH
A Scumbag’s Guide to Stealing Water, Traversing Wormholes, and Breaking Every Rule

  • Posted on February 27, 2020February 28, 2020
  • by6x8Press
NEIL M. PAIK I. Planet Earth Isn’t Blue and There’s Nothing I Can Do Scavenger’s Diary The earliest memory I have of my mother is at the beach, back when…
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Issue.43: Begin Again
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  • Issue.43

The Slate Cleaner

  • Posted on February 27, 2020February 28, 2020
  • by6x8Press
ANONYMOUS Editor’s Note: TW: this article discusses workplace/sexual harassment. You are twenty-something. You are small bodied but have big ambition. You are an actress, and you’re no stranger to having…
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Issue.43: Begin Again
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  • Issue.43

Everything I’ve Wanted to Say About Korean Cinema

  • Posted on February 27, 2020March 3, 2020
  • by6x8Press
SAMUEL KIM I. Past Echoes “… I want our nation to be the most beautiful in the world. By this I do not mean the most powerful nation… It is…
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Issue.43: Begin Again
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  • Issue.43

Lethe Garden Apartments: A Short Story

  • Posted on February 27, 2020April 24, 2020
  • by6x8Press
ANTHONY REALE Miriam was staring at the Lethe Garden Apartments. She hadn’t really given the apartments much thought before; quite fairly, Miriam neglected the building because it was so bland…
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Issue.43: Begin Again
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  • Issue.43

Begin Again

  • Posted on February 27, 2020March 3, 2020
  • by6x8Press
In this issue, we explore the various perspectives that come with the concept of resets, discussing and examining it as both an opportunity to have new beginnings and restarts, but…
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