SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

Issue.14

7 posts
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

Derby Dramatics: The Liminal Space of the Local Football Derby

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
SWEDIAN LIE We live in a much more peaceful time than ever before. That might seem hard to believe given our current global political climate (rising extremist groups; cyber threats…
View Post
Share
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

Interview with Katherine Damme & Kathleen Reardon

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
NATALIE GALLAGHER In this issue we spoke to Katherine Damme and Kathleen Reardon, two psychology Ph.D. students at Northwestern University. They used their research experience working with clinical and at-risk…
View Post
Share
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

8.5×11

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
JONAH CAMPBELL This is my soapbox. This my Black Box. This page is my stage. These words are my script, and through your eyes, witnessed, becomes my performance. The set,…
View Post
Share
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

The American Black Man: A Cyclical Tragedy

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
TORIANO HAYWARD In the hours before Easter Weekend 2017, seven-time Grammy Award winner Kendrick Lamar released his fourth album, DAMN.. While fans did not receive a second album or “resurrection”…
View Post
Share
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

The Border Crossed Us: Navigating the Dominant Culture of South Texas

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
SARAH GRACE VILLARREAL When I was 3, I remember singing the alphabet song every chance I got. I knew it in two languages — English and Spanish. I remember my…
View Post
Share
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

The Absurd Tragicomedy of American Borders

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
DAVID HECHT The Constitution is the founding document of the United States we know today. Yet there are over 200 years of subsequent legal history that can attest to the…
View Post
Share
Issue.14: Invisible Lines: Performing Borders and Liminal Space
View Post
  • Issue.14

Invisible Lines: Performing Borders and Liminal Space

  • Posted on May 26, 2017April 4, 2019
  • by6x8Press
In this issue of SixByEight Press, we explore the topics of in-between spaces as well as dividing lines and boundaries. We dive into how these borders and spaces are formed,…
View Post
Share

Subscribe to SixByEight Press

Join our mailing list!

Recent Posts
  • 21st Century Consciousness, or The Waking Nightmare: A Rambling Monologue in One Part
  • “The world is a beautiful place if you know where to look.”
  • Floating Boats
  • Nightmare Day
  • The Nightmare Issue
6x8P
Our mission begins with a basic premise: that we are all active participants in a constructed collective we call society — living & breathing actors in the same stage play. In today’s production, we see new opportunities to establish and embrace connections within this collective and realize its potential to grow into a community.
SixByEight Press
  • About
  • The Team
  • Contact Us
  • Meet our Writers!
  • From the Press
© SixByEight Press 2021. All Rights Reserved.

Input your search keywords and press Enter.