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      • 37: Tightrope: Performing Tension
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      • 25: In Motion: The Performance of Movement
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      • 32: Editors’ Choice
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      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious
Check Out Our Latest Issues!
  • 53: Open House
  • 52: In Sickness and In Health
  • 51: Redefinitions
  • 50: Black Lives Still Matter
  • 49: Trilogy: The Annual Creative Issue
  • 48: The Play’s The Thing
  • 47: Suddenly Last Summer
  • 46: What Comes Next
  • 45: The Invisible Wave
  • 44: The Present Moment
  • 43: Begin Again
  • 42: Conversations
  • 41: 2nd Annual Editors’ Choice
  • 40: Parallels: Animality & Dualism
  • 39: Seconds: The Annual Creative Issue
  • 38: Shifting Grounds: On Paradigm Shifts
  • 37: Tightrope: Performing Tension
  • 36: Under the Spotlight
  • 35: A Place and A Space: Sites of Performance
  • 34: Fame Culture
  • 33: Life in Technicolor
  • 32: Editors’ Choice
  • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
  • 30: A Shadow Most Strange
  • 29: The Creative Issue
  • 28: Booze and Other Sins: The Story of Controversial Substances in Society
  • 27: Acting Hungry: Food for Thoughts on Performance
  • 26: Legacy
  • 25: In Motion: The Performance of Movement
  • 24: For The Ages: On Growing Up
  • 23: Utopias
  • 22: Groupthink: Performance of A Collective
  • 21: The Method of Merriment
  • 20: Rites: On Performing the Inexplicable
  • 19: The Performance of Yes: On Tacit & Explicit Agreement
  • 18: Incognito
  • 17: Adrift: Rootlessness on Repeat
  • 16: Public Displays of Expression
  • 15: Civic Artistry
  • 14: Invisible Lines: Performing Borders and Liminal Space
  • 13: A Reprise: One-Year Anniversary
  • 12: My Precious: Attachment to the Romantic
  • 11: Storytelling & Shared Illusions: How Stories Shape Our World
  • 10: What If? Speculative Narratives in Our Lives
  • 09: An Act of Chaos: Understanding Dynamics of Randomness and Subversion
  • 08: Facing Outward: How Audience Influences Performance
  • 07: In Plain Sight: Unmasking Many Faces of Deception
  • 06: Separation Anxiety: On the Filter of Technology & Our Experience of Reality
  • 05: Polyglot: On Multilingualism and Communication
  • 04: We’re Not the Only Ones: On Performing Kinship with the Natural World
  • 03: The Ensemble as a Whole: On Unity
  • 02: Re-enactments: Representation and Revision
  • 01: Primaries: Preludes and Politics
SixByEight Press
SixByEight Press
  • About
    • The Team
    • Meet our Writers!
    • Contact Us
  • From the Press
    • Year 6
      • 53: Open House
      • 54: The Nightmare Issue
    • Year 5
      • 50: Black Lives Still Matter
      • 51: Redefinitions
      • 52: In Sickness and In Health
    • Year 4
      • 37: Tightrope: Performing Tension
      • 38: Shifting Grounds: On Paradigm Shifts
      • 39: Seconds: The Annual Creative Issue
      • 40: Parallels: Animality & Dualism
      • 41: 2nd Annual Editors’ Choice
      • 42: Conversations
      • 43: Begin Again
      • 44: The Present Moment
      • 45: The Invisible Wave
      • 46: What Comes Next
      • 47: Suddenly Last Summer
      • 48: The Play’s The Thing
      • 49: Trilogy: The Annual Creative Issue
    • Year 3
      • 25: In Motion: The Performance of Movement
      • 26: Legacy
      • 27: Acting Hungry: Food for Thoughts on Performance
      • 28: Booze and Other Sins: The Story of Controversial Substances in Society
      • 29: The Creative Issue
      • 30: A Shadow Most Strange
      • 31: Metamorphoses: Through the Lenses of Translation & Adaptation
      • 32: Editors’ Choice
      • 33: Life in Technicolor
      • 34: Fame Culture
      • 35: A Place and A Space: Sites of Performance
      • 36: Under the Spotlight
    • Year 2
      • 13: A Reprise: One-Year Anniversary
      • 14: Invisible Lines: Performing Borders and Liminal Space
      • 15: Civic Artistry
      • 16: Public Displays of Expression
      • 17: Adrift: Rootlessness on Repeat
      • 18: Incognito
      • 19: The Performance of Yes: On Tacit & Explicit Agreement
      • 20: Rites: On Performing the Inexplicable
      • 21: The Method of Merriment
      • 22: Groupthink: Performance of A Collective
      • 23: Utopias
      • 24: For The Ages: On Growing Up
    • Year 1
      • 01: Primaries
      • 02: Re-enactments
      • 03: The Ensemble as a Whole
      • 04: We’re Not the Only Ones
      • 05: Polyglot
      • 06: Separation Anxiety
      • 07: In Plain Sight
      • 08: Facing Outward
      • 09: An Act of Chaos
      • 10: What If?
      • 11: Storytelling & Shared Illusions
      • 12: My Precious

Issue.23

7 posts
Issue.23: Utopias
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  • Issue.23

Interview with Deb Sivigny

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
KELLEY KIDD In this issue we talk to Deb Sivigny, a theatre designer and artist as well as creator of Hello, My Name Is…, an immersive “seven-room living installation” set inside…
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Issue.23: Utopias
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  • Issue.23

Olympic Peak

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
CALEB LEWIS It’s All Downhill From Here Simone Biles was glorious! Wasn’t she? Really think back to it. And if you weren’t watching her in the 2016 Olympics in Rio…
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Issue.23: Utopias
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  • Issue.23

Why Do We Love Games?

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
DOUG LEVANDOWSKI & JR HONEYCUTT Doug just had a daughter in December, and she already loves games. Her current favorite is laying on her activity mat, which has various plastic…
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Issue.23: Utopias
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  • Issue.23

Childhood Magic: A Short Story

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
SARAH GRACE VILLARREAL “Relive the wonder. Relive the magic. Relive the excitement.” The sugary voice on the TV gave Cisco an uneasy feeling. He searched for the remote to turn…
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Issue.23: Utopias
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  • Issue.23

Searching for the Right Tee Shirt

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
MARNIE KLEIN On not finding a summer camp fit, but growing nonetheless. Jewish camp was not what I hoped it would be. You know those car insurance commercials with the…
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Issue.23: Utopias
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  • Issue.23

Reading Maps: Exploring the Cartography of Childhood Stories

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
EVAN MOUSSEAU “While we love a good story, we are not always happy with it just being a story. We want to give it a sense of reality. There is…
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Issue.23: Utopias
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  • Issue.23

Utopias

  • Posted on February 23, 2018April 4, 2019
  • by6x8Press
In this issue, we contemplate the connections between nostalgia and visions of utopia, and how these connect to our conceptions of childhood and childlike wonder. In doing so, we’re also…
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